Showing posts with label NYTB. Show all posts
Showing posts with label NYTB. Show all posts

Tuesday, September 11, 2012

New York Diary

I've been in NY for the past three weeks on non-theatre related business.  But that has not stopped me from checking out what is happening on the scene.  So Saturday night I went to see famed cabaret singer Cait Doyle in her new show Cait Doyle's Hot Mess in Manhattan. The show is in development and just wrapped up a run at the American Theater of Actors on 54th street.  It is not clear what the next step will be.  Some say franchise others have suggested a tour.  But what is clear is that this talented cast and creative
team made a show that was so worth watching that I saw it twice in one day!  The multi-composer show is the result of two plus years of cabaret and development and while there is more development to come the work has paid off.  At the after party, at Jake's Saloon on 10th ave, I told Cait I was looking forward to playing her in the future.  She said, "believe me nobody is looking forward to that as much as me."

I'd thought to spend Monday night at the D-Lounge with some friends.  But after a raucous weekend in the "city" it was time to get back to work. Thankfully New York Theatre Barn is there every Monday working on their newest project Rocket Science.
And we are looking forward to seeing Hard Times at The Cell when we get back to NYC late next week.  Being here and seeing so much development work is really inspiring, and it's making my non-theatre contract that much more bearable.
PS.  Didn't know about these, so thanks for the heads up guys.  

Saturday, November 27, 2010

Notes from the Big Apple

I've been down in New York since last weekend, to celebrate American Thanksgiving with my extended family. I love spending a few days in New York City before the holiday, catching up with old friends and seeing shows. This trip I was really excited because there are some interesting new musicals on Broadway. Bloody Bloody Andrew Jackson, got a great preview write up in the New York Times and seemed promising, as did, Kander and Ebb's final work, The Scottsboro Boys. Also on my short list was, American Idiot, the new show, set to the music of Green Day. There are some real heavyweights on Broadway right now. James Earl Jones and Vanessa Redgrave are starring in Driving Miss Daisy. Elaine Stritch and Bernadette Peters are back on Broadway in A Little Night Music. Ms. Kristen Chenoweth is starring opposite Sean Hayes in Promises, Promises, which also features a cameo by Molly Shannon. And the incomprable Patti Lupone is in the new show, Women on the Verge of a Nervous Breakdown, based on the classic film by Pedro Almodovar.

With so many shows to choose from it was a tough call as to what I should see during my limited time in town. So my first stop was to visit my friends at New York Theatre Barn . I wanted to find out what they have seen and what they would recommend. Unfortunately they did not have great things to say about a few of the above mentioned shows and their criticism was echoed by a few other trusted voices. Bloody Bloody Andrew Jackson, was probably the show I was most excited about but from everything I have heard it may not be worth seeing. Most of the criticism for the show was about the music. Several people have told me that the score is not very good, and one person even went so far as to say that the show doesn't have a score. Yikes! Other people took issue with the story, saying that the show had some clever bits but either didn't develop them or made them into cheap jokes rather than anything with substance. Too bad. I also heard similar criticism for American Idiot. Most detractors felt that it isn't really a musical, but actually a song cycle. Not that there is anything wrong with a song cycle, but you get the picture.

Nobody I talked to had seen the Scottsboro Boys yet, but it was definitely the hot ticket in town. Everyone wants to see it, including me. The show tells the story of nine black boys who were arrested in 1931, for allegedly raping two white women, while traveling by train in the South. The show is also the last fully published collaboration between Kander and Ebb. The legendary duo wrote such classics, as Cabaret and Chicago, and had several shows in development, but Mr. Fred Ebb sadly passed away in 2004.

Usually when I am in town. I like to get half price tickets from TKTS in Times Square, for Wednesday matinees. You never know what is going to be available, which is half the fun of it, and you are guaranteed to have some choices. This year the line was unusually short, I practically walked right up to the window. There weren't nearly as many shows up as I had hoped, but both Promises, Promises and Women on the Verge... were available. Despite my great love and admiration for Ms. Lupone I opted for the former. I am frankly sick of seeing movies turned musicals on Broadway, and Promises is a classic.

The score of Promises, was written by Burt Bacharach and feature such iconic tunes as, "I Say a Little Prayer", and "I'll Never Fall in Love Again." Neil Simon wrote the book, so all and all it's a pretty solid piece. The show stars Sean Hayes, of Will and Grace fame, and despite a touch of cold that was evident he held his own and was very charming. When the revival was reviewed at least one critic chastised Mr. Hayes for being "too gay" for the role, a criticism which I have occasionally lobbied against other actors. But I actually didn't find his portrayal overly campy. No more so than the show itself, which is pretty camp.

As for Ms. Chenoweth, I have very mixed feelings about her. Her unique vocal tone does sometimes grate on my nerves but there is no denying her vocal prowess, and she as endearing as ever, not to mention perfectly cast, in the role of Fran Kubelik. She and Mr Hayes have an obvious affection for one another that helps sell their love story. With a little help from Molly Shannon the show has a lot of laughs and lightens the heart. There is nothing heavy hitting about Promises, Promises, but then again does a show have to be challenging to be entertaining? Definitely not.

I will be in town a few more days and am going to try and get to one or two more shows. Scottsboro Boys anyone?

Sunday, August 29, 2010

Do you know about Wyatt Earp?



This show has been a round for a little while. I believe it was originally produced at the Hartt School. I hear there are a few companies around North America who want to produce runs of I Married Wyatt Earp, which is great news. It is an all female cast of five, with fantastic music and an epic story. I could see the Caravan doing something like this. You can find more of the music on YouTube. Joe has promised me that he will try and get as much of the music to me this fall. Getting new music is the big goal for the next couple months. I have been hearing a lot of great new stuff and would love to pass it along to as many singers as possible.

EAP is also thinking that there may be an opportunity to facilitate something similar to the performance series that NYTB has been doing for a while. Is anyone doing writers workshops here in Toronto? And if not are there enough eager writers of musical theatre here to really support one? It would be a great way for writers, producers and performers to work creatively together. Finding the right space would also be a challenge.

Substitute Dreams



Had a catch up conversation with our friends at New York Theatre Barn about what they are up to... click the header to get more on NYTB and Substitute Dreams.

Friday, April 3, 2009

Our Friends at New York Theatre Barn Are At it Again

Joe Barros is one of the most amazing producers that EAP knows. He's the artistic brain behind NYTB in New York. When I was last in town he filled me on a few of his upcoming projects. One of which is playing this Monday, April 6, at the Julia Miles Theater. Hey You Know What Movie Would Make a Good Musical? I am sure you can imagine, but it is about a pair of playwrights who can't get any original work published, so they begin writing musical versions of popular movies. Talk about art imitating life, imitating art, you get the picture. The musical is a campy combination of Jerry Maguire, Scream and Twister. I also want to shout out Jason Michael Snow, who wrote the music. He is also featured in the clip below from Hey You Know... I was fortunate to get to work with him in Wood at the Manhattan Theatre Club last summer. I knew he was a super talented singer and genuine actor but I had no idea he could write such great music. Check out Twister below, from Hey You Know What Movie Would Make a Good Musical?



And also from Twister in Hey You Know...



Celina Carvajal and Kate Weatherhead, who play Jo and Melissa respectively, KILL IT in, "Blow Her Away." Kate was also in Wood, and I don't Celina personally but she was a member of the Young Peoples' Teen Musical Theatre Company in San Francisco, along with Joe and I.
click here to learn more about NYTB and the show