Showing posts with label The Tony Awards. Show all posts
Showing posts with label The Tony Awards. Show all posts

Thursday, February 14, 2013

Preview: [Title of Show] at the Lower Ossington Theatre


Playing for just a few more days is one of our favourite musicals ever conceived! [title of show] is playing at the new hot spot for musical theatre in the city - the fantastic Lower Ossington Theatre. Please check out the details below...

Show Description:

Young talent bring witty musical [title of show] to The Lower Ossington Theatre

Toronto, ON. February – The hilarious Obie Award-winning musical [title of show] comes to The Lower Ossington Theatre starting February 8th, 2013. An intelligent, quirky show described by The New York Times as “a postmodern homage to the grand tradition of backstage musicals,” this show-within-a-show features struggling writers Hunter and Jeff as they face the New York Musical Theatre Festival deadline and decide to take a risk and write an original musical in only three weeks. They quickly find that their conversation about what to write is more engaging than other story ideas. With the help of their friends, singers Heidi and Susan (with Larry on the keys), [title of show] becomes a production about its own creation as a group of friends write a musical about writing a musical for Broadway - starring themselves.

The cast of talented up-and-coming performers includes Forbes MacQuarrie as Hunter, Adam Norrad as his writing partner Jeff, Michelle Nash as Susan, and Bianca Heuvelmans as Heidi, with David Ruggiero as the pianist Larry.

Popular for its clever dialogue, for co-producer Adam Norrad (Jeff), it is the music which makes [title of show] such a stand-out. “I love the beautiful harmonies that we get to sing,” he says. “All of the music is very modern and refreshing – it’s the most fun music I have ever sung!”

[title of show] opens at The Lower Ossington Theatre on Friday, February 8, 2013, 8:00pm. Shows run Friday, Saturday and Sunday until February 16th...

8:00PM –Feb. 8, 10, 15 and 16 || 2:00PM – Feb. 9 & 16 || 4:00PM – Feb. 10 & 17

Tickets $49.00 (use code “title50” for 50% off regular ticket price.)

About Lower Ossington Theatre (The LOT): The Lower Ossington Theatre is an arts space located at 100A Ossington Avenue, between Dundas St. and Queen St. West. An integral part of the stylish Ossington Strip, the LOT is a popular destination known for both family shows and hit musicals.

http://www.lowerossingtontheatre.com/ || Lower Ossington Theatre || 100A Ossington Ave. || 416-915-6747

Sunday, December 4, 2011

Hair - Toronto Premiere



Opening next week is the hit musical HAIR!

This holiday season is offering some major power brokers in terms of musical theatre in the city! Make sure to check them out!

For more info or for tickets please click the header.

Saturday, December 3, 2011

Memphis the Musical



Arriving this week care of Dancap Productions is Memphis!

Full preview to come but please check out this clip from the Tony Awards. Incredible!

For tickets or more info please click the header!!!

Thursday, November 24, 2011

Preview: RED



There is a VERY exciting opening happening this evening and EAP is extremely excited to be apart of it!!! The Tony Award winning play RED is opening tonight! Another really strong and fascinating choice from the Canadian Stage Company.

Show Description:

RED is about Mark Rothko, the American abstract painter who, along with the equally eccentric Jackson Pollock, managed to shift the art world's centre from Paris to New York in the 1940s and 50s.

Alas, such astounding success always comes with its price, and RED is a brilliant examination of an artist torn apart by the outside forces of fame and commercialism - and the inside ones of ego and despair.

Along with the fast-moving story and fascinating depiction of an artist at work, you'll be caught up in Red's passionate exploration of ideas, art and relevance.

This is the Canadian premiere of RED, which swept last year's Tony Awards, and is sure to be one of Toronto's hottest tickets in 2011.

For tickets or more info please click the header!

RED
On now until Dec 17, 2011
Bluma Appel Theatre
WRITTEN BY
John Logan
DIRECTED BY
Kim Collier
COMPOSED BY
Andy Creeggan

Tuesday, June 14, 2011

Our favourite moments of the Tonys


A great start to a great show!


Super fun and well done. I thought it was ad-lib until they started singing.


Sutton Foster is pretty awesome.


Neil Patrick Harris and the Best Play winner War Horse

And the night's highlight (in my opinion)


The Book of Mormon looks amazing!

Monday, June 13, 2011

List of the 2011 TONY Award Winners!

Thank you to playbill.com...

Winners are marked by a *.

2011 TONY AWARD NOMINEES AND RECIPIENTS

Best Musical
*The Book of Mormon
Catch Me If You Can
The Scottsboro Boys
Sister Act

Best Performance by an Actor in a Leading Role in a Musical
*Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Joshua Henry, The Scottsboro Boys
Andrew Rannells, The Book of Mormon
Tony Sheldon, Priscilla Queen of the Desert

Best Performance by an Actor in a Leading Role in a Play
Brian Bedford, The Importance of Being Earnest
Bobby Cannavale, The Motherf**ker with the Hat
Joe Mantello, The Normal Heart
Al Pacino, The Merchant of Venice
*Mark Rylance, Jerusalem

Best Performance by an Actress in a Leading Role in a Musical
*Sutton Foster, Anything Goes
Beth Leavel, Baby It's You!
Patina Miller, Sister Act
Donna Murphy, The People in the Picture

Best Performance by an Actress in a Leading Role in a Play
Nina Arianda, Born Yesterday
*Frances McDormand, Good People
Lily Rabe, The Merchant of Venice
Vanessa Redgrave, Driving Miss Daisy
Hannah Yelland, Brief Encounter

Best Revival of a Musical
*Anything Goes
How to Succeed in Business Without Really Trying


Best Lighting Design of a Play
*Paule Constable, War Horse
David Lander, Bengal Tiger at the Baghdad Zoo
Kenneth Posner, The Merchant of Venice
Mimi Jordan Sherin, Jerusalem

Best Lighting Design of a Musical
Ken Billington, The Scottsboro Boys
Howell Binkley, How to Succeed in Business Without Really Trying
Peter Kaczorowski, Anything Goes
*Brian MacDevitt, The Book of Mormon

Best Play
Good People Author: David Lindsay-Abaire
Jerusalem Author: Jez Butterworth
The Motherf**ker with the Hat Author: Stephen Adly Guirgis
*War Horse Author: Nick Stafford

Best Scenic Design of a Musical
Beowulf Boritt, The Scottsboro Boys
Derek McLane, Anything Goes
*Scott Pask, The Book of Mormon
Donyale Werle, Bloody Bloody Andrew Jackson

Best Revival of a Play
Arcadia
The Importance of Being Earnest
The Merchant of Venice
*The Normal Heart

Best Book of a Musical
Bloody Bloody Andrew Jackson Alex Timbers
*The Book of Mormon Trey Parker, Robert Lopez and Matt Stone
The Scottsboro Boys David Thompson
Sister Act Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane

Best Scenic Design of a Play
Todd Rosenthal, The Motherf**ker with the Hat
*Rae Smith, War Horse
Ultz, Jerusalem
Mark Wendland, The Merchant of Venice

Best Performance by an Actor in a Featured Role in a Musical
Colman Domingo, The Scottsboro Boys
Adam Godley, Anything Goes
*John Larroquette, How to Succeed in Business Without Really Trying
Forrest McClendon, The Scottsboro Boys
Rory O'Malley, The Book of Mormon

Best Costume Design of a Musical
*Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Martin Pakledinaz, Anything Goes
Ann Roth, The Book of Mormon
Catherine Zuber, How to Succeed in Business Without Really Trying

Best Performance by an Actress in a Featured Role in a Musical
Laura Benanti, Women on the Verge of a Nervous Breakdown
Tammy Blanchard, How to Succeed in Business Without Really Trying
Victoria Clark, Sister Act
*Nikki M. James, The Book of Mormon
Patti LuPone, Women on the Verge of a Nervous Breakdown

Best Costume Design of a Play
Jess Goldstein, The Merchant of Venice
*Desmond Heeley, The Importance of Being Earnest
Mark Thompson, La Bête
Catherine Zuber, Born Yesterday

Best Direction of a Play
*Marianne Elliott and Tom Morris, War Horse
Joel Grey & George C. Wolfe, The Normal Heart
Anna D. Shapiro, The Motherf**ker with the Hat
Daniel Sullivan, The Merchant of Venice

Best Direction of a Musical
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
*Casey Nicholaw and Trey Parker, The Book of Mormon
Susan Stroman, The Scottsboro Boys

Best Sound Design of a Play
Acme Sound Partners & Cricket S. Myers, Bengal Tiger at the Baghdad Zoo
Simon Baker, Brief Encounter
Ian Dickinson for Autograph, Jerusalem
*Christopher Shutt, War Horse

Best Performance by an Actor in a Featured Role in a Play
Mackenzie Crook, Jerusalem
Billy Crudup, Arcadia
*John Benjamin Hickey, The Normal Heart
Arian Moayed, Bengal Tiger at the Baghdad Zoo
Yul Vázquez, The Motherf**ker with the Hat

Best Sound Design of a Musical
Peter Hylenski, The Scottsboro Boys
Steve Canyon Kennedy, Catch Me If You Can
Brian Ronan, Anything Goes
*Brian Ronan, The Book of Mormon

Best Performance by an Actress in a Featured Role in a Play
*Ellen Barkin, The Normal Heart
Edie Falco, The House of Blue Leaves
Judith Light, Lombardi
Joanna Lumley, La Bête
Elizabeth Rodriguez, The Motherf**ker with the Hat

Best Choreography
Rob Ashford, How to Succeed in Business Without Really Trying
*Kathleen Marshall, Anything Goes
Casey Nicholaw, The Book of Mormon
Susan Stroman, The Scottsboro Boys

Best Original Score (Music and/or Lyrics) Written for the Theatre

*The Book of Mormon
Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone

The Scottsboro Boys
Music & Lyrics: John Kander and Fred Ebb

Sister Act
Music: Alan Menken
Lyrics: Glenn Slater

Women on the Verge of a Nervous Breakdown
Music & Lyrics: David Yazbek

Best Orchestrations
Doug Besterman, How to Succeed in Business Without Really Trying
Larry Hochman, The Scottsboro Boys
*Larry Hochman and Stephen Oremus, The Book of Mormon
Marc Shaiman & Larry Blank, Catch Me If You Can

***


Recipients of Awards and Honors in Non-Competitive Categories

Special Tony Award for Lifetime Achievement in the Theatre
Athol Fugard (Recipient)
Philip J. Smith (Recipient)

Regional Theatre Tony Award
Lookingglass Theatre Company (Chicago, IL) (Recipient)

Isabelle Stevenson Award
Eve Ensler (Recipient)

Special Tony Award
Handspring Puppet Company (Recipient)

Tony Honor for Excellence in the Theatre
William Berloni (Recipient)
The Drama Book Shop (Recipient)
Sharon Jensen and Alliance for Inclusion in the Arts (Recipient)

Tuesday, May 3, 2011

Tony Award Nominations - 2011


Past Tony winners Anika Noni Rose and Matthew Broderick announced the 2011 Tony Awards nominees live from the New York Public Library for the Performing Arts in New York City.

The American Theatre Wing's 65th Annual Antoinette Perry "Tony" Awards, which are presented by The Broadway League and the American Theatre Wing, will air on CBS on Sunday, June 12th from 8:00 - 11:00 PM (ET/PT time delay).

THE 65th ANNUAL TONY AWARDS take place at the Beacon Theatre. The awards will be followed by the invite-only Tony Gala which will take place at The Plaza Hotel in New York City.

Best Play

Good People
Author: David Lindsay-Abaire

Jerusalem
Author: Jez Butterworth

The Motherf**ker with the Hat
Author: Stephen Adly Guirgis

War Horse
Author: Nick Stafford

Best Musical

The Book of Mormon
Catch Me If You Can
The Scottsboro Boys
Sister Act

Best Book of a Musical

Bloody Bloody Andrew Jackson
Alex Timbers

The Book of Mormon
Trey Parker, Robert Lopez and Matt Stone

The Scottsboro Boys
David Thompson

Sister Act
Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane

Best Original Score (Music and/or Lyrics) Written for the Theatre

The Book of Mormon
Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone

The Scottsboro Boys
Music & Lyrics: John Kander and Fred Ebb

Sister Act
Music: Alan Menken
Lyrics: Glenn Slater

Women on the Verge of a Nervous Breakdown
Music & Lyrics: David Yazbek

Best Revival of a Play

Arcadia
The Importance of Being Earnest
The Merchant of Venice
The Normal Heart

Best Revival of a Musical

Anything Goes
How to Succeed in Business Without Really Trying

Best Performance by an Actor in a Leading Role in a Play
Brian Bedford, The Importance of Being Earnest
Bobby Cannavale, The Motherf**ker with the Hat
Joe Mantello, The Normal Heart
Al Pacino, The Merchant of Venice
Mark Rylance, Jerusalem

Best Performance by an Actress in a Leading Role in a Play
Nina Arianda, Born Yesterday
Frances McDormand, Good People
Lily Rabe, The Merchant of Venice
Vanessa Redgrave, Driving Miss Daisy
Hannah Yelland, Brief Encounter

Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Joshua Henry, The Scottsboro Boys
Andrew Rannells, The Book of Mormon
Tony Sheldon, Priscilla Queen of the Desert

Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster, Anything Goes
Beth Leavel, Baby It's You!
Patina Miller, Sister Act
Donna Murphy, The People in the Picture

Best Performance by an Actor in a Featured Role in a Play
Mackenzie Crook, Jerusalem
Billy Crudup, Arcadia
John Benjamin Hickey, The Normal Heart
Arian Moayed, Bengal Tiger at the Baghdad Zoo
Yul Vázquez, The Motherf**ker with the Hat

Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin, The Normal Heart
Edie Falco, The House of Blue Leaves
Judith Light, Lombardi
Joanna Lumley, La Bête
Elizabeth Rodriguez, The Motherf**ker with the Hat

Best Performance by an Actor in a Featured Role in a Musical
Colman Domingo, The Scottsboro Boys
Adam Godley, Anything Goes
John Larroquette, How to Succeed in Business Without Really Trying
Forrest McClendon, The Scottsboro Boys
Rory O'Malley, The Book of Mormon

Best Performance by an Actress in a Featured Role in a Musical
Laura Benanti, Women on the Verge of a Nervous Breakdown
Tammy Blanchard, How to Succeed in Business Without Really Trying
Victoria Clark, Sister Act
Nikki M. James, The Book of Mormon
Patti LuPone, Women on the Verge of a Nervous Breakdown

Best Scenic Design of a Play
Todd Rosenthal, The Motherf**ker with the Hat
Rae Smith, War Horse
Ultz, Jerusalem
Mark Wendland, The Merchant of Venice

Best Scenic Design of a Musical
Beowulf Boritt, The Scottsboro Boys
Derek McLane, Anything Goes
Scott Pask, The Book of Mormon
Donyale Werle, Bloody Bloody Andrew Jackson

Best Costume Design of a Play
Jess Goldstein, The Merchant of Venice
Desmond Heeley, The Importance of Being Earnest
Mark Thompson, La Bête
Catherine Zuber, Born Yesterday

Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Martin Pakledinaz, Anything Goes
Ann Roth, The Book of Mormon
Catherine Zuber, How to Succeed in Business Without Really Trying

Best Lighting Design of a Play
Paule Constable, War Horse
David Lander, Bengal Tiger at the Baghdad Zoo
Kenneth Posner, The Merchant of Venice
Mimi Jordan Sherin, Jerusalem

Best Lighting Design of a Musical
Ken Billington, The Scottsboro Boys
Howell Binkley, How to Succeed in Business Without Really Trying
Peter Kaczorowski, Anything Goes
Brian MacDevitt, The Book of Mormon

Best Sound Design of a Play
Acme Sound Partners & Cricket S. Myers, Bengal Tiger at the Baghdad Zoo
Simon Baker, Brief Encounter
Ian Dickinson for Autograph, Jerusalem
Christopher Shutt, War Horse

Best Sound Design of a Musical
Peter Hylenski, The Scottsboro Boys
Steve Canyon Kennedy, Catch Me If You Can
Brian Ronan, Anything Goes
Brian Ronan, The Book of Mormon

Best Direction of a Play
Marianne Elliott and Tom Morris, War Horse
Joel Grey & George C. Wolfe, The Normal Heart
Anna D. Shapiro, The Motherf**ker with the Hat
Daniel Sullivan, The Merchant of Venice

Best Direction of a Musical
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
Casey Nicholaw and Trey Parker, The Book of Mormon
Susan Stroman, The Scottsboro Boys

Best Choreography
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
Casey Nicholaw, The Book of Mormon
Susan Stroman, The Scottsboro Boys

Best Orchestrations
Doug Besterman, How to Succeed in Business Without Really Trying
Larry Hochman, The Scottsboro Boys
Larry Hochman and Stephen Oremus, The Book of Mormon
Marc Shaiman & Larry Blank, Catch Me If You Can


Recipients of Awards and Honors in Non-competitive Categories

Special Tony Award for Lifetime Achievement in the Theatre
Athol Fugard
Philip J. Smith

Regional Theatre Tony Award
Lookingglass Theatre Company (Chicago, Ill.)

Isabelle Stevenson Award
Eve Ensler

Special Tony Award
Handspring Puppet Company

Tony Honor for Excellence in the Theatre
William Berloni
The Drama Book Shop
Sharon Jensen and Alliance for Inclusion in the Arts

Tony Nominations by Production
The Book of Mormon - 14
The Scottsboro Boys - 12
Anything Goes - 9
How to Succeed in Business Without Really Trying - 8
The Merchant of Venice - 7
Jerusalem - 6
The Motherf**ker with the Hat - 6
The Normal Heart - 5
Sister Act - 5
War Horse - 5
Catch Me If You Can - 4
Bengal Tiger at the Baghdad Zoo - 3
The Importance of Being Earnest - 3
Women on the Verge of a Nervous Breakdown - 3
Arcadia - 2
Bloody Bloody Andrew Jackson - 2
Born Yesterday - 2
Brief Encounter - 2
Good People - 2
La Bête - 2
Priscilla Queen of the Desert - 2
Baby It's You! - 1
Driving Miss Daisy - 1
The House of Blue Leaves - 1
Lombardi - 1
The People in the Picture - 1



Read more at
Broadway World.com




Tuesday, October 19, 2010

REVIEW: Priscilla, Queen of the Spectacle



Priscilla Queen Of The Desert: the musical
is brash, bright, and ballsy. Pun definitely intended. From the first notes She (Priscilla) comes at you full throttle with her disco pulse, reigning supreme as the queen of extravaganza musicals.

All the components are there, a great cast, stunning costumes, and a kick ass soundtrack. If you were looking for a quiet, contemplative night at the theatre you'd better look elsewhere. But good luck trying to pull your eyes away from the bright lights and good times at the Princess of Wales Theatre.

You are in for some surprise too. As with any great story there is more to Priscilla than meets the eye, or ear, as the case may be. And this production holds up to the original film. Audiences are definitely in for one wild and heart-warming ride.

The cast, fronted by Broadway veteran Will Swenson, Priscilla legend Tony Sheldon and up-and-comer Nick Adams sizzle together onstage. The trio have great chemistry, and the ensemble sound and look amazing onstage. Swenson's Tick/Mitzi sets the perfect tone for the shows more challenging and heavier themes. While, Mr. Sheldon, who originated the role of Bernadette in the Australian production, is a clear star. Surprisingly, Priscilla will mark his Broadway debut and we'd bet he gets nominated for a Tony. Nick Adams, (pictured above) as the young, bratty but lovable, Felicia holds his own, but lacks some of the nuance and depth of character that Swenson and Sheldon bring. Perhaps it is a case of life imitating art and vise-versa. Felicia is a naive and tender young man, full of piss and vinegar, and still learning. Like his character, Mr. Adams seems a little under developed in the role. His inconsistency with the accent was problematic, but if he's anything like Felicia, Adams will continue to rise to the challenge. It is a big opportunity for him and he is a joy to watch.

As we mentioned the costumes are a real highlight of this show. With over 300 different pieces, the sheer volume of colour, size and boldness will overwhelm the senses. Considering the large cast and the choreography the costumes only add to the sheer magnitude of the production. They help to emphasis the concept of space, which is so vital to the original film. How to convey the immensity of the Australian outback onstage is a considerable challenge. But the costumes, in all their grandness lend themselves to thinking about this show and Its larger than life attitude.

And then there is the bus. Priscilla herself. This show would be impossible to produce without one, and the use of a rotating platform and mechinised door allowed for scenes both inside and outside of the bus, creating very effective divisions of space. Of course there is an outrageous quality to putting a bus on a stage but it is essential to the telling of the story and if you can't make Priscilla a spectacle perhaps it shouldn't be made at all. Big musicals definitely have a place in the current climate of successful musical theatre and Priscilla is the grande dame of them all.

For those who fear that Priscilla may be playing to a niche audience or that it will seem shallow rest assured there is a lot that goes deeper to this show. Some of the criticism of the stage production has centred around a perceived sanitization of the original film's grit and ugliness. But we'd argue that there is still a lot of tension lingering under all the gloss and glitter. The characters still face social, sexual and gender identity issues with tenacity and diva fierceness.

The message in Priscilla is about self-discovery and the constant journey that is life. And who's to say that should not be set to disco music? Priscilla is running in Toronto for 12 weeks! We highly recommend this one. It's a real crowd pleaser!

For tickets or more info click here!

LM and JH

Monday, June 8, 2009

TONY AWARDS!

And the winners are:

BEST MUSICAL
* Billy Elliot
Next to Normal
Rock of Ages
Shrek the Musical

BEST PLAY
33 Variations
Dividing the Estate
* God of Carnage
reasons to be

BEST REVIVAL OF A MUSICAL
Guys and Dolls
* Hair
Pal Joey
West Side Story

BEST REVIVAL OF A PLAY
Joe Turner's Come and Gone
Mary Stuart
* The Norman Conquests
Waiting for Godot

BEST BOOK OF A MUSICAL
* Lee Hall, Billy Elliot
Brian Yorkey, Next to Normal
David Lindsay-Abaire, Shrek the Musical
Hunter Bell, [title of show]

BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATER
Billy ElliotMusic: Elton John, Lyrics: Lee Hall
* Next to NormalMusic: Tom Kitt, Lyrics: Brian Yorkey
9 to 5Music and lyrics: Dolly Parton
Shrek the MusicalMusic: Jeanine Tesori, Lyrics: David Lindsay-Abaire

BEST PERFORMANCE BY A LEADING ACTOR IN A PLAY
Jeff Daniels, God of Carnage
Raúl Esparza, Speed-the-Plow
James Gandolfini, God of Carnage
* Geoffrey Rush, Exit the King
Thomas Sadoski, reasons to be pretty

BEST PERFORMANCE BY A LEADING ACTRESS IN A PLAY
Hope Davis, God of Carnage
Jane Fonda, 33 Variations
* Marcia Gay Harden, God of Carnage
Janet McTeer, Mary Stuart
Harriet Walter, Mary Stuart

BEST PERFORMANCE BY A LEADING ACTOR IN A MUSICAL
* David Alvarez, Trent Kowalik, and Kiril Kulish, Billy Elliot
Gavin Creel, Hair
Brian d’Arcy James, Shrek the Musical
Constantine Maroulis, Rock of Ages
J. Robert Spencer, Next to Normal

BEST PERFORMANCE BY A LEADING ACTRESS IN A MUSICAL
Stockard Channing, Pal Joey
Sutton Foster, Shrek the Musical
Allison Janney, 9 to 5
* Alice Ripley, Next to Normal
Josefina Scaglione, West Side Story

BEST PERFORMANCE BY A FEATURED ACTOR IN A PLAY
John Glover, Waiting for Godot
Zach Grenier, 33 Variations
Stephen Mangan, The Norman Conquests
Paul Ritter, The Norman Conquests
* Roger Robinson, Joe Turner’s Come and Gone

BEST PERFORMANCE BY A FEATURED ACTRESS IN A PLAY
Hallie Foote, Dividing the Estate
Jessica Hynes, The Norman Conquests
Marin Ireland, reasons to be pretty
* Angela Lansbury, Blithe Spirit
Amanda Root, The Norman Conquests

BEST PERFORMANCE BY A FEATURED ACTOR IN A MUSICAL
David Bologna, Billy Elliot
* Gregory Jbara, Billy Elliot
Marc Kudisch, 9 to 5
Christopher Sieber, Shrek the Musical
Will Swenson, Hair

BEST PERFORMANCE BY A FEATURED ACTRESS IN A MUSICAL
Jennifer Damiano, Next to Normal
Haydn Gwynne, Billy Elliot
* Karen Olivo, West Side Story
Martha Plimpton, Pal Joey
Carole Shelley, Billy Elliot

BEST DIRECTION OF A PLAY
Phyllida Lloyd, Mary Stuart
Bartlett Sher, Joe Turner’s Come and Gone
* Matthew Warchus, God of Carnage
Matthew Warchus, The Norman Conquests

BEST DIRECTION OF A MUSICAL
* Stephen Daldry, Billy Elliot
Michael Greif, Next to Normal
Kristin Hanggi, Rock of Ages
Diane Paulus, Hair

BEST CHOREOGRAPHY
Karole Armitage, Hair
Andy Blankenbuehler, 9 to 5
* Peter Darling, Billy Elliot
Randy Skinner, Irving Berlin’s White Christmas

BEST ORCHESTRATIONS (Tie)
Larry Blank, Irving Berlin’s White Christmas
* Martin Koch, Billy Elliot
* Michael Starobin and Tom Kitt, Next to Normal
Danny Troob and John Clancy, Shrek the Musical

BEST SCENIC DESIGN OF A PLAY
Dale Ferguson, Exit the King
Rob Howell, The Norman Conquests
* Derek McLane, 33 Variations
Michael Yeargan, Joe Turner’s Come and Gone

BEST SCENIC DESIGN OF A MUSICAL
Robert Brill, Guys and Dolls
* Ian MacNeil, Billy Elliot
Scott Pask, Pal Joey
Mark Wendland, Next to Normal

BEST COSTUME DESIGN OF A PLAY
Dale Ferguson, Exit the King
Jane Greenwood, Waiting for Godot
Martin Pakledinaz, Blithe Spirit
* Anthony Ward, Mary Stuart

BEST COSTUME DESIGN OF A MUSICAL
Gregory Gale, Rock of Ages
Nicky Gillibrand, Billy Elliot
* Tim Hatley, Shrek the Musical
Michael McDonald, Hair

BEST LIGHTING DESIGN OF A PLAY
David Hersey, Equus
David Lander, 33 Variations
* Brian MacDevitt, Joe Turner’s Come and Gone
Hugh Vanstone, Mary Stuart

BEST LIGHTING DESIGN OF A MUSICAL
Kevin Adams, Hair
Kevin Adams, Next to Normal
Howell Binkley, West Side Story
* Rick Fisher, Billy Elliot

BEST SOUND DESIGN OF A PLAY
Paul Arditti, Mary Stuart
* Gregory Clarke, Equus
Russell Goldsmith, Exit the King
Scott Lehrer and Leon Rothenberg, Joe Turner’s Come and Gone

BEST SOUND DESIGN OF A MUSICAL
Acme Sound Partners, Hair
* Paul Arditti, Billy Elliot
Peter Hylenski, Rock of Ages
Brian Ronan, Next to Normal

SPECIAL THEATRICAL EVENT
* Liza's at the Palace . . .
Slava's Snowshow
Soul of Shaolin
You're Welcome America. A Final Night With George W Bush

SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT IN THE THEATER
Jerry Herman

REGIONAL THEATER TONY AWARD
Signature Theater (Arlington, Va.)

ISABELLE STEVENSON AWARD
Phyllis Newman

SPECIAL TONY AWARD FOR EXCELLENCE IN THE THEATER
Shirley Herz

Courtesy of nytimes.com, links to nytimes.com.

Tuesday, May 5, 2009

And the Nominees are...

Here is the list of Tony nominations from Playbill.com this morning: and click the link above to see the article from Playbill.


Best Play

Dividing the Estate
Author: Horton Foote
Producers: Lincoln Center Theater, Bernard Gersten, Andre Bishop, Primary Stages
God of Carnage
Author: Yasmina Reza
Producers: Robert Fox, David Pugh & Dafydd Rogers, Stuart Thompson, Scott Rudin, Jon B. Platt, The Weinstein Company, The Shubert Organization
Reasons to Be Pretty
Author: Neil LaBute
Producers: Jeffrey Richards, Jerry Frankel, MCC Theater, Gary Goddard Entertainment, Ted Snowdon, Doug Nevin/Erica Lynn Schwartz, Ronald Frankel/Bat-Barry Productions, Kathleen Seidel, Kelpie Arts, LLC, Jam Theatricals, Rachel Helson/Heather Provost
33 Variations
Author: Moises Kaufman
Producers: David Binder, Ruth Hendel, Goldberg/Mills, Latitude Link, Arielle Tepper Madover, Bill Resnick, Eric Schnall, Jayne Baron Sherman, Wills/True Love Productions, Tectonic Theater Project, Greg Reiner, Dominick Balletta, Jeffrey LaHoste

Best Musical

Billy Elliot, The Musical
Producers: Universal Pictures Stage Productions, Working Title Films, Old Vic Productions, Weinstein Live Entertainment
Next to Normal
Producers: David Stone, James L. Nederlander, Barbara Whitman, Patrick Catullo, Second Stage Theatre, Carole Rothman, Ellen Richard
Rock of Ages
Producers: Matthew Weaver, Carl Levin, Jeff Davis, Barry Habib, Scott Prisand, Relativity Media, Corner Store Fund, Janet Billig Rich, Hillary Weaver, Toni Habib, Paula Davis, Simon and Stefany Bergson/Jennifer Maloney, Charles Rolecek, Susanne Brook, Israel Wolfson, Sara Katz/Jayson Raitt, Max Gottlieb/John Butler, David Kaufman/Jay Franks, Mike Wittlin, Prospect Pictures, Laura Smith/Bill Bodnar, Happy Walters, Michele Caro, The Araca Group
Shrek The Musical
Producers: Dreamworks Theatricals, Neal Street Productions

Best Book of a Musical

Billy Elliot, The Musical
Lee Hall
Next to Normal
Brian Yorkey
Shrek The Musical
David Lindsay-Abaire
[Title of Show]
Hunter Bell

Best Original Score (Music and/or Lyrics) Written for the Theatre

Billy Elliot, The Musical
Music: Elton John
Lyrics: Lee Hall
Next to Normal
Music: Tom Kitt
Lyrics: Brian Yorkey
9 to 5: The Musical
Music & Lyrics: Dolly Parton
Shrek The Musical
Music: Jeanine Tesori
Lyrics: David Lindsay-Abaire

Best Revival of a Play

Joe Turner's Come and Gone
Producers: Lincoln Center Theater, Andre Bishop, Bernard Gersten
Mary Stuart
New Version: Peter Oswald
Producers: Arielle Tepper Madover, Debra Black, Neal Street Productions/Matthew Byam Shaw, Scott Delman, Barbara Whitman, Jean Doumanian/Ruth Hendel, David Binder/CarlWend Productions/Spring Sirkin, Daryl Roth/James L. Nederlander/Chase Mishkin, The Donmar Warehouse
The Norman Conquests
Producers: Sonia Friedman Productions, Steven Baruch, Marc Routh, Richard Frankel, Tom Viertel, Dede Harris, Tulchin/Bartner/Lauren Doll, Jamie deRoy, Eric Falkenstein, Harriet Newman Leve, Probo Productions, Douglas G. Smith, Michael Filerman/Jennifer Manocherian, Richard Winkler, Dan Frishwasser, Pam Laudenslager/Remmel T. Dickinson, Jane Dubin/True Love Productions, Barbara Manocherian/Jennifer Isaacson, The Old Vic Theatre Company
Waiting for Godot
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Elizabeth Ireland McCann

Best Revival of a Musical

Guys and Dolls
Producers: Howard Panter and Ambassador Theatre Group, Tulchin/Bartner, Bill Kenwright, Northwater Entertainment, Darren Bagert, Tom Gregory, Nederlander Presentations, Inc., David Mirvish, Michael Jenkins/Dallas Summer Musicals, Independent Presenters Network, Olympus Theatricals, Sonia Friedman Productions
Hair
Producers: The Public Theater, Oskar Eustis, Andrew D. Hamingson, Jeffrey Richards, Jerry Frankel, Gary Goddard Entertainment, Kathleen K. Johnson, Nederlander Productions, Inc., Fran Kirmser Productions/Jed Bernstein, Marc Frankel, Broadway Across America, Barbara Manocherian/Wencarlar Productions, JK Productions/Terry Schnuck, Andy Sandberg, Jam Theatricals, The Weinstein Company/Norton Herrick, Jujamcyn Theaters, Joey Parnes, Elizabeth Ireland McCann
Pal Joey
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Marc Platt
West Side Story
Producers: Kevin McCollum, James L. Nederlander, Jeffrey Seller, Terry Allen Kramer, Sander Jacobs, Roy Furman/Jill Furman Willis, Freddy DeMann, Robyn Goodman/Walt Grossman, Hal Luftig, Roy Miller, The Weinstein Company, Broadway Across America

Best Special Theatrical Event

Liza's at The Palace
Producers: John Scher and Metropolitan Talent Presents, LLC; Jubilee Time Productions, LLC
Slava's Snowshow
Producers: David J. Foster, Jared Geller, Joseph Gordon-Levitt, Judith Marinoff Cohn, John Pinckard
Soul of Shaolin
Producers: Nederlander Worldwide Productions, LLC; Eastern Shanghai International Culture Film & Television Group; China on Broadway
You're Welcome America. A Final Night with George W. Bush
Producer: Jeffrey Richards, Jerry Frankel, Steve Traxler, Home Box Office Inc., Gary Sanchez Productions, Bat-Barry Productions, Ken Davenport, Ergo Entertainment, Ronald Frankel, Jon B. Platt, James D. Stern, The Weinstein Company, Tara Smith/b. Swibel, Dede Harris/Sharon Karmazin, Arny Granat

Best Performance by a Leading Actor in a Play

Jeff Daniels, God of Carnage
Raúl Esparza, Speed-the-Plow
James Gandolfini, God of Carnage
Geoffrey Rush, Exit the King
Thomas Sadoski, Reasons to Be Pretty

Best Performance by a Leading Actress in a Play

Hope Davis, God of Carnage
Jane Fonda, 33 Variations
Marcia Gay Harden, God of Carnage
Janet McTeer, Mary Stuart
Harriet Walter, Mary Stuart

Best Performance by a Leading Actor in a Musical

David Alvarez, Trent Kowalik, and Kiril Kulish ‚ Billy Elliot, The Musical
Gavin Creel, Hair
Brian d'Arcy James, Shrek The Musical
Constantine Maroulis, Rock of Ages
J. Robert Spencer, Next to Normal

Best Performance by a Leading Actress in a Musical

Stockard Channing, Pal Joey
Sutton Foster, Shrek The Musical
Allison Janney, 9 to 5: The Musical
Alice Ripley, Next to Normal
Josefina Scaglione, West Side Story

Best Performance by a Featured Actor in a Play

John Glover, Waiting for Godot
Zach Grenier, 33 Variations
Stephen Mangan, The Norman Conquests
Paul Ritter, The Norman Conquests
Roger Robinson, Joe Turner's Come and Gone

Best Performance by a Featured Actress in a Play

Hallie Foote, Dividing the Estate
Jessica Hynes, The Norman Conquests
Marin Ireland, Reasons to Be Pretty
Angela Lansbury, Blithe Spirit
Amanda Root, The Norman Conquests

Best Performance by a Featured Actor in a Musical

David Bologna, Billy Elliot, The Musical
Gregory Jbara, Billy Elliot, The Musical
Marc Kudisch, 9 to 5: The Musical
Christopher Sieber, Shrek The Musical
Will Swenson, Hair

Best Performance by a Featured Actress in a Musical

Jennifer Damiano, Next to Normal
Haydn Gwynne, Billy Elliot, The Musical
Karen Olivo, West Side Story
Martha Plimpton, Pal Joey
Carole Shelley, Billy Elliot, The Musical

Best Scenic Design of a Play

Dale Ferguson, Exit the King
Rob Howell, The Norman Conquests
Derek McLane, 33 Variations
Michael Yeargan, Joe Turner's Come and Gone

Best Scenic Design of a Musical

Robert Brill, Guys and Dolls
Ian MacNeil, Billy Elliot, The Musical
Scott Pask, Pal Joey
Mark Wendland, Next to Normal

Best Costume Design of a Play

Dale Ferguson, Exit the King
Jane Greenwood, Waiting for Godot
Martin Pakledinaz, Blithe Spirit
Anthony Ward, Mary Stuart

Best Costume Design of a Musical

Gregory Gale, Rock of Ages
Nicky Gillibrand, Billy Elliot, The Musical
Tim Hatley, Shrek The Musical
Michael McDonald, Hair

Best Lighting Design of a Play

David Hersey, Equus
David Lander, 33 Variations
Brian MacDevitt, Joe Turner's Come and Gone
Hugh Vanstone, Mary Stuart

Best Lighting Design of a Musical

Kevin Adams, Hair
Kevin Adams, Next to Normal
Howell Binkley, West Side Story
Rick Fisher, Billy Elliot, The Musical

Best Sound Design of a Play

Paul Arditti, Mary Stuart
Gregory Clarke, Equus
Russell Goldsmith, Exit the King
Scott Lehrer and Leon Rothenberg, Joe Turner's Come and Gone

Best Sound Design of a Musical

Acme Sound Partners, Hair
Paul Arditti, Billy Elliot, The Musical
Peter Hylenski, Rock of Ages
Brian Ronan, Next to Normal

Best Direction of a Play

Phyllida Lloyd, Mary Stuart
Bartlett Sher, Joe Turner's Come and Gone
Matthew Warchus, God of Carnage
Matthew Warchus, The Norman Conquests

Best Direction of a Musical

Stephen Daldry, Billy Elliot, The Musical
Michael Greif, Next to Normal
Kristin Hanggi, Rock of Ages
Diane Paulus, Hair

Best Choreography

Karole Armitage, Hair
Andy Blankenbuehler, 9 to 5: The Musical
Peter Darling, Billy Elliot, The Musical
Randy Skinner, Irving Berlin's White Christmas

Best Orchestrations

Larry Blank, Irving Berlin's White Christmas
Martin Koch, Billy Elliot, The Musical
Michael Starobin and Tom Kitt, Next to Normal
Danny Troob and John Clancy, Shrek The Musical