Showing posts with label world premiere. Show all posts
Showing posts with label world premiere. Show all posts

Friday, January 25, 2013

Preview: Every Letter Counts at Factory


Factory Theatre is a day away from opening its doors again after a very tumultuous year filled with a backlash of epic proportions after the board decided to let go of Artistic Director Ken Gass due mostly to vision conflicts. The company is back though, the dispute has been laid to rest and the dust has settled so let's all move on yes?

Here we go this year with the launch of the season with a new world premiere from the up and coming playwright Nina Lee Aquino entitled, Every Letter Counts. The show has a nice run and is on until February 24th. For tickets please click here!

Show Description:

Memory. Mortality. Imagination.

Every Letter Counts is Nina Lee Aquino’s very personal re-imagining of Filipino political icon, Benigno Aquino. Struggling to find her own path and haunted by her uncle’s voice, a desperate “Bunny” breaks into the Aquino Museum at night, where past, present, myth and memory collide.

*Nina Lee Aquino is a Filipina-Canadian playwright, director, dramaturge, and actor. She was a founding member and Artistic Director of fu-GEN Asian Canadian Theatre Company and is currently Artistic Director of Cahoots Theatre Company and a member of Factory’s Interim Artistic Team. Aquino is a multiple award-winner (Ken McDougall Award, the John Hirsch Prize, Dora Mavor Moore Award) and has been an Associate Artist of Factory Theatre for three years. Every Letter Counts was developed through Factory Theatre’s Play Development Program and is the first Factory production of one of Nina Lee Aquino’s plays.

Written by: Nina Lee Aquino
Directed by: Nigel Shawn Williams
Starring:
Nina Lee Aquino
Jon de Leon
Anthony Malarky
Earl Pastko

Wednesday, April 11, 2012

Preview: The Sheets, The...



HATCH 2012 presents THE SHEETS, THE… by Salvatore Antonio.  An Inaugural new work by The Empty Whole Group

The Empty Whole Group, a new multi-disciplinary theatre company in Toronto, launches on April 21st, 2012 at 8pm, with their first project, THE SHEETS, THE ..., as a part of Harbourfront Centre’s HATCH 2012.

THE SHEETS, THE... is written and directed by Governor General Award-nominated Salvatore Antonio. As part of the HATCH programme’s mandate of highlighting original, exciting and fresh voices in creation, Antonio offers a one-night-only experience of a new and challenging multi-disciplinary work-in-progress, that explores the expression (or lack thereof) of intimacy in all its modern day banality, disconnectedness, and solitude. Set in a hotel room, and centered around the role of the bed as witness, THE SHEETS, THE… unfolds as a revealing and unsparing foray into the depths of the physical and psychological core of the human need for emotional connection, sexual release, and simple tactile contact.

Salvatore Antonio, an established actor (Léo, Hosanna, Refugee Hotel) and writer (In Gabriel’s Kitchen, for which he was named a G.G Finalist 2007), has brought together a group of progressive performers and collaborators—both established and emerging—to breathe life into this creation that flirts with the boundaries of conventional theatre, performance art, dance and visual art. Artists include Aviva Armour-Ostroff, Greg Gale, Thomas Olajide, Jason Jazrawy, William Christopher Ellis, David Christo, Zion Forrest Lee, Amy Lee Lavoie (assistant director and dramaturge) and multi-award-winning Beth Kates (designer) have joined forces to build this charged and challenging piece.

THE SHEETS, THE... marks the first production from The Empty Whole Group. Under the artistic directorship of Antonio, The Empty Whole Group gathers like-minded artists to build around a central theme for each future production. The Empty Whole Group’s mandate is to produce  original performances that remain vital, while blurring the lines of what is considered theatre, dance, music or visual art.

HATCH 2012 runs from April 14 – May 5, 2012. Patrons can purchase a HATCH pass (includes tickets to all four productions) for $40, individual tickets for $15, or students/seniors/arts professionals $12. Visit the website here or call the box office at 416-973-4000 for more information.  Following each HATCH presentation, there is a Q&A, where the audience can engage with presenting artists.

ABOUT HATCH
Now in its ninth year, HATCH is a key initiative in Harbourfront Centre’s mission to develop local artists and their unique practices. HATCH mentorship provides resources and professional assistance to contemporary artists looking to explore a new element of their practice. By giving the space and time for this to happen, Harbourfront Centre hopes to develop and grow the best new work coming out of Toronto. This season’s guest curator is Toronto-based performance artist, Jess Dobkin.


HATCH has produced many projects which have gone on to presentations around the world and have garnered awards and professional accolades, including Hannah Moscovitch’s The Russian Play and Aluna Theatre’s Nohayquiensepa.

Tuesday, March 27, 2012

Announcing the World Premiere of Ajax and Little Iliad




World Stage at the Harbourfront Centre is proud to present the World Premiere of Ajax and the Little Iliad.  This is an intimate theatrical experience, with only 30 seats available per show.  So act now because once tickets are gone they are gone.  Ajax... runs April 4-8, 2012 at Harbourfront Centre’s Enwave Theatre.

Taking a cue from contemporary military rehabilitation programs, Toronto artists, Evan Webber and Frank Cox-O’Connell set out to define "Theatre of War" expressly for the civilian population. Ajax & Little Iliad is a pair of companion works that explore the ways that storytelling connects the actions of artists and soldiers. The 30 audience members also wear pair of headphones; this is contemporary performance at its most topical, personal, immediate and intimate.

 “Powerful... a tiny treat of a show.” -Irish Times
A profound and poignant synthesis of art and war.” – Irish Theatre magazine

Staging a lost fragment from the Trojan cycle best known from Sophocles’ adaptations, Little Iliad examines the ever-present reality of war in an intimate Skype-like encounter between childhood friends Evan, a writer, and Thom, a soldier about to be deployed (who appears projected upon a clay puppet). Discussing the methods of the US Army-funded company Theatre of War, Little Iliad subtly draws parallels between the ancient epic and modern context of Canada’s involvement in war. Written by Webber and directed by Cox-O’Connell, it premiered at the Festival de l’Outaouais Émergent in Quebec and the Absolute Fringe in Dublin, Ireland in 2010.

The world premiere of Ajax expands on the theme of “theatre of war”, presenting a series of letters addressed to the doomed classical hero. Ajax pushes further into the ideas in Little Iliad but shifts from cinematic naturalism to a richly theatrical imagination of ‘the classical’, complete with helmets and sandals. We are in the golden age of democratic Athens, and we are going to the premiere of Sophocles’ new play: the story of a victorious but conflicted general who acts to oppose the corruption in his own army. The audience and actors all sit together for a dangerous experiment in classical drama: a scripted play in which the actors play the role of the audience and the audience plays a chorus who comment on invisible heroes. Ajax is an unnervingly funny and uncompromising set of questions about theatricality, performance and the authors of history.

Performance makers Evan Webber and Frank Cox-O’Connell have created and performed over a dozen performance works in Canada, the United States and Europe – most frequently, with fellow co-founders, in the group One Reed Theatre and as core collaborators with Small Wooden Shoe. Their work aims to unite the informal and participatory with the precisely rehearsed; it documents their ongoing conversation about reality, performance and change.

Performance details:

Wednesday, April 4, 2012: 8 pm
Thursday, April 5, 2012: 7 pm
Thursday, April 5, 2012: 9 pm
Friday, April 6, 2012: 8 pm
Saturday, April 7, 2012: 4 pm
Saturday, April 7, 2012: 8 pm
Sunday, April 8, 2012: 2 pm
Sunday, April 8, 2012: 4 pm

Enwave Theatre, 231 Queens Quay West.

Tickets: $35, $28 (seniors and arts workers), $15 (CultureBreak – 13 to 25 years-old, or students of any age) available at Harbourfront Centre’s Box Office. Call 416.973.4000, or email tickets@harbourfrontcentre.com or visit you can also get tickets by visiting the Harburfront Centre website here.

There is a talk back show with Evan Webber and Frank Cox-O'Connell following the 9pm performance on Thursday, April 5, and a second talk back show Friday April 6.

Monday, March 5, 2012

Preview: The Happy Woman


Opening tonight at the Berkeley Street Theatre is Nightwood Theatre's World Premiere of The Happy Woman.  This darkly comic play looks at how a middle-class family suppresses truth to maintain a happy veneer for the outside world.  The show is in previews tonight and tomorrow and opens officially March 7th.  The Happy Woman runs until March 24th.  Monday through Saturday 8pm, matinees Wednesday at 1:30 pm and Saturdays at 2pm.

Tickets are $22 - $46.

The Happy Woman  is written by Rose Cullis.  
Directed by Kelly Thornton

Click here for ticket information or to buy tickets online.  Or call 416.368.3110

Sunday, January 29, 2012

Preview: A Brimful of Asha



Serving up samosa's, laughs and lots of heart, A Brimful of Asha is exactly the type of show Liza and I have been craving this winter. The world premiere has opened to strong buzz and has all the top critics talking! For tickets please click the header.

Show Description:

Real-life mother and son, Asha and Ravi Jain, share the stage and tell this true (and very Canadian) story of generational and cultural clash. When Ravi takes a trip to India his parents decide it is the perfect time to introduce him to potential brides. Ravi is not sold on the idea of getting married-at least not yet-but Asha fears that time is running out.

Ravi Jain is an award winning actor, director, producer and educator. Ravi and his mother tell their story together, letting us into their personal drama. Select Sunday performances take place at Dish Cooking Studio (390 Dupont Street) and include a cooking class with Asha, the performance, and a shared vegetarian Indian meal.

A Brimful of Asha
By Asha and Ravi Jain
Directed by Ravi Jain
A WHY NOT THEATRE PRODUCTION
WORLD PREMIERE
On now until February 19th
Tarragon Theatre
Toronto

Sunday, January 15, 2012

Preview: Red Snow

2012 marks the 75th anniversary of the Rape of Nanjing.  Many of the atrocities of WWII committed in Asia have yet to be properly exercised.  People the world over continue to dig and examine the truths about what happened throughout the region during the War.  Red Snow, on now at Theatre Passe Muraille and presented by the Red Snow Collective, in association with ALPHA and the Aluna Theatre is a deeply personal exploration of the tragedy that occurred in Nanjing. 

Through the powerful narrative of a contemporary woman who goes in search of her family's tragic history, Red Snow is about the forgotten victims of Asian genocide in China. She is forced to confront feeling of love, hatred and despair when she falls in love with a man who's family story is connected with her own. Together they must struggle to reconcile the past and present.  The show fuses music, Western and Eastern styles of text and movement.   

written by Diana Tso
directed by Beatriz Pizano
music by Alice Ping Yee Ho
movement by William Yong
set / multi-media by Trevor Schwellnus
lighting by Michelle Ramsay
dramaturgy by Ric Knowles
stage managed by Sandy Plunkett
cast: Zoé Doyle, Derek Kwan, Vienna Hehir, Janet Lo, and Richard Tse

Red Snow  is on now until January 28th at Theatre Passe Muraille.  Click here for ticket info.  Don't miss this World Premiere.

Friday, November 11, 2011

Preview: IMPRINTS



Opening this evening in the Factory Studio Theatre is Theatre Garantua's World Premiere of IMPRINTS!

Inspired by current theories of genetic memory – and taking them further in a fascinating mix of science and fantasy – playwright Michael Spence explores the ghosts of our ancestral past by imagining them as existing within our genes. IMPRINTS speculates about the thousands and thousands of intimate strangers that make up our lineage and how their experiences are manifested in our instincts, fears and dreams.

Lily is haunted. Her body is overrun with ghosts. They surreptitiously influence all aspects of her life. She does not even know they are there, until she meets them face-to-face.

IMPRINTS tells the fantastical tale of Lily, a woman haunted by the ghosts of her ancestors. While undergoing an experimental procedure for an incurable disease, she is inadvertently transported down a very peculiar rabbit-hole. There she encounters the ghosts of her genealogical past - and discovers alarming keys to her present.

For tickets and for more info please click the header!!!

Theatre Gargantua
in association with Factory Theatre presents the WORLD PREMIERE of
IMPRINTS
A new play by Michael Spence
Directed by Jacquie P.A. Thomas
The acting ensemble for IMPRINTS features Stephanie Belding, Cosette Derome, Conor Green, Ron Kennell, Kat Sandler and Michael Spence
Opens November 11 and runs to November 26, 2011
Factory Studio Theatre, 125 Bathurst Street